There’s a certain atmosphere in former factory towns. Maybe you’ve felt it walking through cities like Providence, Worcester, or Pittsburgh. Maybe you’ve felt it through a painting.
Light might have something to do with it.
In City: Rediscovering the Center, William H. Whyte writes:
Porous surfaces such as brick or limestone act differently. They reflect far more light… But the light is benign. It does not glare. Instead of reflecting the sun back in parallel ways, porous surfaces break up the rays and diffuse them… Some of them fairly glow.
It’s the glow you feel in Charles Sheeler’s Amoskeag Canal:

Or in Edward Hopper’s Early Sunday Morning:

Or in Morning Sun, also by Hopper:

And lastly, in Charles E. Burchfield’s Factories:

Carrying the thread forward, here are a few glimpses of that same glow, captured in Providence’s Jewelry District:




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