something in the light

an insight

There’s a certain atmosphere in former factory towns. Maybe you’ve felt it walking through cities like Providence, Worcester, or Pittsburgh. Maybe you’ve felt it through a painting.

Light might have something to do with it.

In City: Rediscovering the Center, William H. Whyte writes:

Porous surfaces such as brick or limestone act differently. They reflect far more light… But the light is benign. It does not glare. Instead of reflecting the sun back in parallel ways, porous surfaces break up the rays and diffuse them… Some of them fairly glow.

It’s the glow you feel in Charles Sheeler’s Amoskeag Canal:

Geometric mill buildings in red and beige reflect in a still canal under a pale blue sky, creating a quiet, balanced industrial landscape.
source — currier.org

Or in Edward Hopper’s Early Sunday Morning:

Empty two-story commercial buildings along an unoccupied street cast in soft sunlight.
source — whitney.org

Or in Morning Sun, also by Hopper:

A woman in a pink slip sits on a bed in a sunlit room, gazing out of a window toward a brick building across the street.
source — edwardhopper.net

And lastly, in Charles E. Burchfield’s Factories:

A moody industrial scene with smokestacks and factory buildings, painted in expressive, almost surreal brushstrokes.
source — burchfieldpenney.org

snapshots

Carrying the thread forward, here are a few glimpses of that same glow, captured in Providence’s Jewelry District:

A brick building with fire escapes and arched windows, with factory smokestacks in the distance.
A brick building with green-trimmed windows and doorways, lit by soft afternoon sun.
View through a multi-pane window into a quiet brick alleyway with green awnings, potted plants, and warm sunlight filtering in.
A corner view of a tall brick building under a deep blue sky, with bare trees and cars lining the street.

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